Yaoi Movie

Wednesday, March 31, 2010

Turnoffs in a Manga

man

Turn-offs in a Manga


There are many kinds of manga and thus many categories and subcategories. But even though there are categories to choose from, there are those small things in a manga that can make us say “oh hell no”. These are what most of us call a “turn-off”. These are some of the turn-offs and mangas where they are generally found.


I’m not against gay men but there is a good reason why yaoi mangas don’t last that long. Most of the manga viewers are males who are attracted to Naruto, Bleach, One Piece and the like. Example would be Crimson Spell.


Gender Bender


Same reason as the one with yaoi. Though these characters are cute and/or handsome. Having the opposite sex of their “desired one” men would really consider that as a major turnoff. Example would be No Bra..


Too Much Characters


See God of High School for example too many characters, too many transitions, too many side stories. That’s basically it.


There are many more reasons for a turn off in a manga but I guess it depends on the reader. These are mainly my opinions and are not meant to be used as a standard.

Thursday, March 25, 2010

Bad Yaoi Warning HAPPY YAOI YUM YUM

Bad Yaoi Warning. HAPPY YAOI YUM YUM.


yaoi

Review by talyseon


in Books, Movies


in Books, Movies


Cons: Oh, goodness, so many, so very many things.


Happy Yaoi Yum Yum by a whole lot of people who should have known better.


I always start my Yaoi reviews with a warning. This time I am going to use the one printed on the back of the book.


"WARNING . Book contains explicitly explicit sexual sex scenes of explicit sex."


"2ND WARNING . If you are a straight guy who picked up this book because you think those are flat-chested girls on the front, put it back. They're dudes.


Book contains numerous depictions of full frontal nudity, full backal nudity, and in one panel you can kind of see inside a guy's butt.


Depictions of sex with tentacles, corn vines, beans, coins, a harp, fingers, a giant, a giant strap-on, a cat boy, lamb boy, puppy boys, more tentacles, a merboy, some bird boys, and then that lamb boy again.


If you're that supposedly straight guy we mentioned in paragraph 2, why the Hell are you still reading this?"


Why indeed? I'll tell you why. it has the same hypnotic pull of a train wreck. You want to look away, but you can't. You know it is going to be bad, but you just don't know how bad.


Let me save you time, trouble and sleepless nights. it is bad, from start to finish. Yaoi is an interesting art form; it is Japanese, featuring romances between men. It is written mostly by women, mostly for women. It can range from sweet schoolboy romances to very hot and steamy. This, however, is just porn. And it is cartoon porn. It's just tacky.


The stories, and I use the terms loosely, consist of a retelling of Jack and the Beanstalk. Anything put up Jack's butt turns into a hot man. Anything. The second story feature the Tentacle monster (yes, it is a monster made up of penis-like tentacles) and its adventures in Kemonini Forest. (A Kemonini is a person with animal features like cat ears, and a tail, or horns. Manga loves Cat Girls and Foxboys.) The third is a retelling of Goldilocks and the three bears, with the bears played by hot guys in cheap bear costumes. Goldilocks is a transvestite. The last story is about a porn star who is seduced to go gay.


There is as much story as you would expect in on screen porn. It is just graphic sex, fully depicted, crass, and frankly quickly boring. And there is a gallery of thirty pages of work by various artists. No story, no continuity, just pictures of guys screwing. Some are elves, some are samurai, some are faeries, but all of them are caught in the act.


And while the art is good, technically, throughout, that is all this has going for it. It is just. pornography. And tiresome porn at that.


I like Yaoi; it is fresh, frequently funny, has a different aesthetic from gay stories in America, and can be a really fun read. This is just trash. And I would never have reviewed it, except as warning.


(500)


Try these Yaoi reviews:


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Friday, March 19, 2010

Author Interview Sedonia Guillone My Favorite Genre To Write In Is Yaoi Style Romance

Author Interview: Sedonia Guillone: My Favorite Genre To Write In Is Yaoi Style Romance


She is an award-nominated author of erotic romance. Her work is published by Ellora's Cave, Red Sage and Loose Id in addition to her own publishing company, Ai Press, established in 2010 and boasting a collection of some of the erotic romance genres favorite authors. Her murder mystery, His Beautiful Samurai . has been used in a college course in gay and lesbian literature and is in the process of discussion for film option. She hopes you will visit her on the web at www.sedoniaguillone.com  and  www.ai-press.net .


 Welcome onboard Sedonia Guillone!


About your education Sedonia: i hold a degree in Political Science and French Language. I have also studied sacred music in Jerusalem and done graduate work in French Language and Linguistics. What career did you plan during your education days Sedonia: I thought i was going to go to law school. But one day I visited a law office to discuss that path and picked up one of the law books. I glanced at one paragraph and my eyes glazed over. I realized that if I went to law school, I would have to read books like that night and day as well as during my career and realized I absolutely would not survive.


What languages you can speak and write? Sedonia:  English and French mainly, with a smattering of Russian and Hebrew.


What is your biggest source of inspiration in life. Sedonia:  My biggest source of inspiration is the man in my life. He taught me what it really means to love and be loved and has made me want to be the best possible person I can be. I dedicate all my books to him.


What hurts you most in this world. Sedonia: What  hurts me most in this world is the way people are cruel to each other and to animals. I find that i can forgive people things because we are human, except the abuse of animals and children. That is beyond unbearable.


What is the biggest challenge you have faced? How did you overcome it? Sedonia: The biggest challenge I have faced are the inner obstacles of my own mind and heart. Overcoming those obstacles is an ongoing process but it has become possible with the help of my teacher who taught me to meditate and become a more sensitive person to my own suffering and to the suffering of others. Sensitivity naturally leads to a dropping away of blockages because one cannot feel one's own suffering and that of other beings without wanting to end that suffering.


If you had to live a day of your life as one of the living or dead personality, who would it be and why? Sedonia:   If I had one day of my life to be someone else, i would wish to spend that day as Sri Bagavan Ramana Maharshi because i want to know what it feels like to experience the degree of Self realization that he had. If i did, then i would have the deepest comparison of awakeness to the lack of awareness with which i live my daily life and i believe it would deepen my direction toward living a life of harmlessness.


What is your favorite genre and why? Sedonia:  My favorite genre to read for enjoyment is murder mysteries. My favorite genre to write in is yaoi style romance because it gives me a chance to express the kind of character driven angst that allows me to channel what is going on inside me.


When did you start writing? What is the purpose of your writing? Sedonia: I started writing seriously about 13 years ago. The purpose of my work is severalfold. First, I write simply because I can't NOT write. There is no other way to say it than that. If I go too long without letting the creativity flow out, I grow unhappy. Second, I write in order to make a living. Third, I hope that my writing achieves the purpose of being enjoyable and uplifting for readers. I try to incorporate the things I have learned in my life into my stories in order to bring them to a bit higher level than simply an erotic romance written just to tease the senses.


Which of your work has been published so far? Sedonia: I have many novels, novellas and short stories published since about 2005.  Please come and visit my home on the web for titles, excerpts and my blog which I do my best to keep updated with cool stuff.  www.sedoniaguillone.com


Would you like to share a synopsis of your work? Sedonia: Yes, please! I would like to share a snippet from one of my personal favorites and the first murder mystery I ever wrote, His Beautiful Samurai . Which, also, I’m proud to say was used in a college course of gay and lesbian literature a few years ago and is currently being considered for a motion picture option. Thank you! Here goes: Sex and murder don’t mix but Detective Toshiro Genjin and psychic John Holmes do…


John Holmes comes to Tokyo to help stop a killer. Through the use of his psychic abilities, he can help find out things that no one else sees. Toshi is a policeman who reluctantly accepts John's help, but from their first touch, John knows he wants more than that. He wants all Toshi can give him, and the heat between them surprises, and delights him.


The modern killer, a historical murder of two samurai, and Toshi's need to honor other commitments combine to make the blooming love between John and Toshi difficult. And dangerous. The more deeply they delve into the past, the more unsure the future looks. Could the heat between them be the only thing that can solve the mystery, despite all of the difficulties that stand in their way? Can they find a way to keep what is most precious to them? Haunting and powerful, His Beautiful Samurai is a murder mystery, a romance, and a study in the supernatural. Get your hands on it today!


Excerpt:


Chapter One Tokyo, Japan, Present day


Toshi stared down at the fresh corpses. Around him, the flashbulbs of the crime scene photographers went off like tiny fireworks. Shimatta . He’d failed again and now stood, helpless, staring at the victims’ grisly fate.


His hands already encased in latex gloves, he pressed his palms together, steepled in front of him, and bowed his respect to the dead. As did his partner, Natsuka Yamamoto, beside him.


The victims of this third killing in nearly six months, their naked, stiffening bodies still intertwined, had been skewered. The weapon, as with the other victims, a samurai’s  katana . long sword.


His stomach churned, as it never failed to do when he found the Ronin Killer’s victims. Natsuka delicately covered the victims with a white cloth then approached Toshi, shaking his head sadly. The katana tented the cloth in the most macabre way. “You ready for them to go?”


Toshi sighed. Forensics had already done the preliminary, time and cause of death. As if they didn’t already know the cause. His hand went into the inner pocket of his jacket, rummaging for the cigarettes he’d made the mistake of trying to quit the week before. Then stopped. No smoking on a crime scene. He’d have to wait. “Go ahead,” he murmured to his partner. Natsuka nodded and went to give the order.


With his mind ticking off the ways he’d failed to prevent yet another killing, Toshi surveyed the room while the Identification Division people finished up. He began to look around. Though he wasn’t sure why. Not one crime scene had turned up any useful leads. All they had so far in all this time was that the form of the murders was identical and that the victims were either married people having an illicit affair or a couple together whose relationship was rocky.


Natsuka had a theory that the killer’s motive was at least in part a sick desire to keep them together. As good a motive as any. But that still didn’t explain the fact that each time they got a trace on a suspect, that same suspect ended up dead two days later back in their own home, dead from a fatal coronary and the word “Naomasa” carved into the deceased’s forehead. Autopsies showed that the wounds were self-inflicted moments before death. Men and women, both in service jobs, both solitary types. Profiling had gotten them that far. And only that far. Where were they getting the damned swords?


The murder weapons turned out to be original swords smithed by one Koto Naomasa, one of the great sword smiths of nineteenth century Japan. However, they’d been unable to trace where the weapons were coming from, and the expert they’d questioned knew of only one other original Naomasa in a private collection in the United States. They seemed to be coming out of thin air. The case was nothing but dead ends, literally and figuratively. There  had  to be a cult of some kind they’d yet to find. Somewhere in the shadows, another Charles Manson was sending out his brainwashed minions to kill. Natsuka went to round up the hotel staff and to have the manager contact off-duty employees to come in for questioning.


As always, the room yielded no clues. It seemed the killer did what he always did. Entered the room, unnoticed by the lovers engaged in the act, speared them together then turned around and left. There was nothing to do now except wait for forensic reports and to speak with the staff.


Toshi watched the sheet-covered stretcher being carried out of the room. He shook his head, fighting down a wave of nausea. The sick feeling was as much from frustration as from horror. How the hell was he supposed to prevent further murders if the killer continued to slip through their fingers like sand on the beach? If he and Natsuka had been the only ones working on this case, he might have understood the difficulty of turning up leads, but a team of twenty men and women working around the clock? His cell phone rang. Toshi pulled off a glove and retrieved the phone from his pocket. One glance at the ID window showed the caller was his superior. He took a deep breath.


“ Moshi moshi . Keishi-san.”


“Keibu Genjin. Same situation as always?” The superintendant spoke in his gravelly voice.


He exhaled. “Yes, Keishi-san. I’m sorry.”


The chief’s irritation radiated through the phone line. “Next Tuesday makes six months. We’re not doing anything to promote the citizens’ faith in Tokyo’s police force.” Toshi gritted his teeth and raked a hand through his hair, badly in need of trimming. Hunting a serial killer did not allow one time for such trivialities as personal grooming. Or sleep. “This is not the first time a serial killer has eluded the police.” Jack the Ripper and the Zodiac Killer were famous instances, of course, but there were many others all over the world that often never made headlines for more than a few days, never mind history. Long ago back at Berkley, Michael, who was on the graduate track to profiling, had told him about many of them who’d managed never to get caught. It was a terrible response, but the only one he had in the moment. He, himself, lived in this area and had a vested interest in keeping it safe. He’d often wondered how long it would be before a victim would turn out to be one of his neighbors. “We won’t rest until we have results.” Keishi Ito grunted. “You and Yamamoto-san finish up there. Leave the other teams to finish the inquiries and come in. I have something to tell you.”


Toshi sighed. “Yes, sir.” He flipped his phone shut, dropped it into his jacket pocket, then pulled off the other glove. With the crime scene now secured, he and Natsuka would have to come back in and search the place again in the morning. Which was really only a few hours away. Good thing there was a Starbucks right by the station. Green tea just didn’t cut it at times like these.


Natsuka was at the doorway of the room, looking at him. “Hayao and his partner are still speaking to everyone currently in the hotel. So far, no one here has seen or heard anything suspicious. I’m having a disc made of the security tapes now. They’ll send them over as soon as they’re ready. Management is still looking for all the off-duty employees.


They’ll have them here in a couple of hours, they said.”


Toshi thanked him and told him what the chief had said. Natsuka grumbled and clapped a friendly hand on Toshi’s shoulder. “Come, I’ll run interference for you with the press.” The press had been swarming around the entrance of each crime scene, ever since the RoninKiller had begun his rampage through East Tokyo.


Toshi nodded. “Thanks,” he murmured and went again for his cigarettes. He followed the older man down the hall, into the elevator.  His partner for the last four years had become a good friend, more like the father and well-meaning older brother he’d never had. His own father, a high-ranking diplomat, had always been stern and distant, demanding perfection. Mazao Genjin hated that his son was a policeman. Policing was a job for the son of blue collar men, as he had put it from his place across the table at dinner so many years ago. Not for the son of a diplomat and descendant of a samurai family. As if such social ranks still applied to modern day society.


Unfortunately, he’d still not shaken the effect of four years at Berkley in California. All that personal freedom and…well…Michael, had gotten into his blood. He’d tried to blame Michael for his complete inability to readjust all these years back in Japan, for having fed his inner drive. But honestly, it was his own doing. Or, rather his nature. Since he could remember, he’d suffered the soul-searing hunger to find answers, to get to the truth and get dangerous sickos off the street so they couldn’t hurt anyone else. In fact, were it not for his Uncle Musashi, the one person in his life who encouraged him, he wasn’t so sure he would ever have returned to Tokyo. He was beholden to his uncle, in spite of Musashi’s protests to the contrary. Musashi needed him in a way he couldn’t define, but which had had the power to drag him back from the States, and from Michael.


So, here he was.


Halfway down to the lobby, he realized his body had already begun to tense, bracing himself for what the chief would have to say. It couldn’t be good. * * * * * Boston, Massachusetts


“In other world news tonight, in Tokyo, Japan, a serial killer has been terrorizing the eastern portion of the city for the last six months.”


John reached out to switch off the set, but something held him back.


“The Ronin Killer, has been dubbed so by Tokyo Metropolitan Police because of the use of a samurai sword to spear his victims.”


John sat at full attention, uncertain whether it was the military man in him, or the empathic psychic. Old habits didn’t just die hard, they went kicking and screaming. He stared at the screen. Police were loading sheet-covered corpses, apparently two bodies together, into the medical van outside of what appeared to be a fancy hotel. The top of the sheet protruded upward, attesting to the sword. It was obvious the killer had skewered his victims together.  Christ …


“The Ronin   Killer, so named after the masterless samurai warriors of Japan,” the anchorwoman went on, “refers to the manner in which the killer chooses his victims, seemingly at random, and then murders them with a  samurai  weapon. Police have been frustrated in the efforts to capture the Ronin Killer before his next strike. Their only clue is the manner in which two victims are killed at once, either in an embrace or during sexual intercourse.”


“Damn,” John murmured, a sick feeling rising in his gut. He continued to watch the footage.


“Police Inspectors Natsuka Yamamoto and Toshiro Genjin of the Criminal Investigation Bureau have been on the case since the first victims appeared nearly six months ago. They refused to comment on the string of murders.”


The cameras zoomed in on the two men. They were leaving the building. A middle-aged, shorter man walked in front of the other detective, seeming to shield him, but the cameras managed to catch glimpses of the second detective. A few seconds sufficed for John to see that the younger man was slim and handsome. John’s heart sped up slightly. The detective’s ebony hair framed an angular face in sexy layers that curled over his collar. John watched the screen, his gaze glued on the taller figure of the young detective until he was no longer visible. The segment ended and John switched off the set. He shook his head. There was a time when he would have immediately booked a flight to Tokyo and turned up at the police station, offering his services to catch the killer. Hell, that Japanese detective was almost good-looking enough to pull him from his rest cure. However, his nerves were still shot from the series of cases he’d worked on with police over the last few years. Four months hadn’t proved to be enough of a vacation. His hands had only stopped shaking in the last week.


He pushed the image of that guy from his mind, fighting back the nagging spirals of heat whispering about in his long-neglected groin area. John Holmes filled his days with walks in the park, counseling at the VA, and whatever leisure and athletic activities would keep him fit between reading trashy detective novels and staring into space. No antique stores for him, nor any other place where the lives of the dead could crash in on him. No touching other people so he could experience all their grief and anguish and learn their deepest secrets. He didn’t even take his reading material from the library or get it at used bookstores because he’d sense the lives of the people who’d touched the book before him. He was resting until his own soul told him he was ready again.


His cell phone rang. The private, unlisted number that only his agent, Dick Watson had, not even his own family. Even though he was pretty close with his folks and siblings, he’d needed to reduce the number of times the phone rang. It had also been worth his peace of mind to invest in an agent to run interference with police stations, press and general curiosity mongers and tire kickers.


John’s stomach fluttered with a touch of premonition. “Dick? Hey.” “Sorry to make the phone ring, mate.” The Aussie’s cheerful voice gave John momentary relief. “How are you?”


John sighed and leaned back in his chair. He propped his bare feet up on the glass coffee table. “The same. How’s the wife?”


“Sandy’s fine. She wants you to come to dinner soon.”


Dick and his family were the only people John allowed himself to socialize with since Brett had left. The pressure of a post-traumatic stress disorder suffering psychic as a lover had been too much for the guy. Yet, physical contact with him hadn’t been a joy either. Brett had secrets that, when John touched him, were no longer secrets. This combination really didn’t do a relationship good.


“That would be great.” John stared up at the ceiling. He definitely appreciated when someone else did the cooking. Baked beans from a can got awfully tiresome after a while.


“Is that why you called?”


Pause. Dick cleared his throat. “Um…well…no.”


The flutter in John’s gut kicked up again. “Don’t tell me.”


Sigh. “John, I really debated hard on this one. It’s the first call I’ve contacted you about in four months.”


John could only imagine how many calls Dick had actually turned down for him, in spite of the intense guilt he suffered. How many cases could be solved if he just helped? He just had to trust that his agent wouldn’t allow something like that to happen. Dick was shrewd and prudent and John trusted him implicitly. “All right, shoot.”


“Good man. Have you started watching the news again?”


“A bit here and there.”


Dick cleared his throat again. This was going to be a doozy. “Maybe you’ve heard about the serial murders in Tokyo? They’re calling them the Ronin killings, after the samurai?” John felt his pulse throb in his wrist. This was too damn weird. “I just saw the clip a second before you called.”  I saw that hot detective who’s on the case.


“Yeah, well, the third murder just happened yesterday, taking into account the time difference. And about five minutes ago, I got a call from the superintendent of that district, asking, no pleading, for your services. They’re desperate to get this guy before he kills again.”


“Naturally.” John’s heartbeat quickened slightly.


“Of course the airfare, lodging, et cetera is all taken care of. I'll take care of briefing the police on what you do and what to expect when you examine a crime scene, although the superintendent I spoke with says he's read about you in their police journals.”


“How nice. I’m famous.”


Dick chuckled. “Better than infamous, I suppose, mate.”


John joined him in the laughter. “Yes, I suppose.”


The moment of humor passed and they were both silent. John sensed Dick’s hesitation on the other end.


“If you want to take some time to decide, mate. ”


John sat up in his chair. He sighed. “No. I don’t need time on this one. I’m tired of refusing to help. I think I’ll be able to handle it.”


“You’re a good man, John. Are you sure?”


John nodded even though Dick couldn’t see him. “I’m sure.”


man

“Are you ready for the briefing?”


“Shoot.”


“Just the bare facts. The victims are found slain with the sword. Roughly twenty-four to forty-eight hours later, a man or woman is found, dead of a coronary after having carved the name ‘Naomasa’ on his or her own forehead. Their fingerprints match the fingerprints on the murder weapon each time.”


“Jesus.” The details of murder never failed to horrify.


“Tell me about it. So far the police have not been able to establish a connection. No cults or religious groups that would be engaged in such activities. Nothing.” John sighed. “That’s where I come in.”


“That’s right. Anyway, I’ll have your ticket for you this evening when I pick you up for the airport.”


“Dick, you’re the best.” Seriously, John didn’t know how he’d cope without his agent’s help.


Dick chuckled. “So my wife is fond of telling me. See you tonight, mate.”


What are your forthcoming writings? Sedonia: I am in the midst of writing the third installment in a trilogy of samurai romance novellas entitled A Samurai For Aoki. The first two, Flying Fish, and Blind Love are already released.


What four top most things you take care of while writing a book? Sedonia: I make sure that I am not forcing the plotlines or the character along. If I get stuck, I pull back and give the story time to tell itself to me. Then I write it down. I make sure that I word ever sentence the most perfect way it can be expressed. I write what I love to read about – if I am not interested in something, I don’t try to write a story about it just to make a commercial success. More than ever, I make sure that if someone I love were to pick up the book and read it, that it would be something that I would be proud to show them.


Your dream destination on Earth? Sedonia:  Hmm, at this point I feel like my dream destination is Thailand. I love Thai food and the Thai people I have met have been so sweet and kind that I would love to there.


Your origin of birth and other countries you have visited/ stayed. What best things you liked in these countries around the globe? Sedonia: I am from the United States but I have been to England, France, Italy, Greece, Israel, Russia, Canada and some Caribbean Islands. I liked the Mediterranean countries the best because there is so much sunlight and the food is very fresh and delicious.


Your favorite time of the day? Sedonia:  The wee quiet hours of the morning because they are so still and quiet and when i sit together with my boyfriend and we watch TV or just laugh together.


Your zodiac/ sunsign? Sedonia:  My zodiac sign is Taurus. My Chinese zodiac sign is the Rooster.


Your favorite book and why? Sedonia: I have a collection of favorites but I would have to say that one of the top favorites I have is My Guru and His Disciple by Christopher Isherwood. I love this book because Christopher Isherwood who wrote so beautifully, was sincere and honest in his personal struggles of spirit and in the way he portrayed the relationship between himself and Swami Prabhavananda.


Your favorite food? Sedonia: Pizza,  massaman curry and vegetable samosas.


The last line of your autobiography would be… Sedonia: I did my best to live harmlessly. I hope I succeeded.

Tuesday, March 16, 2010

Asian BL Drama/Movies

Asian BL Drama/Movies


Since all my followers are asking me for GOOD Asian BL dramas/movies. I decided to organize all my Asian BL movies/dramas and make a list here. I provided you with link like this —> [x] . so that you can watch it directly online .


———All of the movies are in English subtitle———


Here we go! Enjoy:


Japanese Drama/Movies


Ai No Kotodama 1 [x]


Ai No Kotodama 2 [x]


Big Bang Love Juvenile [x]


Boys Love 1 [x]


Boys Love 2 [x]


Bokura No Ai No Kanade [x]


Boku No Kareshi Wo Shoukai Shimasu [x]


Fujimi Orchestra [x]


Hatachi No Binetsu (A Touch of Fever) [x]


Hush! [x]


Istuka Ni Kimi E [x]


Junjou (Pure Heart) [x]


Kindan No Ai (Forbidden Love) [x]


Quite Ordinary [x ]


Taiikukan Baby [x]


Takumi-Kun Series 1 [x]


Takumi-Kun Series 2 [x]


Takumi-Kun Series 3 [x]


Takumi-Kun Series 4 [x]


Takumi-Kun Series 5 [x]


boy

The Depth [x]


Ren Ai Shindan Tsubasa No Kakera [x]


Ren Ai Shindan Umei No KoKou [x]


Doushitemo Furetakunai [x]


Docchi mo Docchi [x] Raw


*Coming Soon* Kimi No Ita Natsu 1


Korean Drama/Mov ies


A Crimson Mark [x]


A Frozen Flower [x]


Antique Bakery [x]


Boy meets Boy [x]


Bungee Jumping of Their Own [x]


Going South [x] Raw


Hello My Love [x]


Just Friends [x]


Life is Beautiful (Drama) [x]


Love 100°C [x]


No regret [x]


Rainbow Eyes [x]


Rec [x]


Suddenly, Last Summer [x] Raw


The Postcard [x]


The King and the Clown [x]


Two Weddings and a Funeral [x]


White Night [x]


You Used To Smile That Way [x]


One Night Only [x]


Night Flight [x] Raw


Stateless Things [x] Raw


20 [x] Raw


Chinese Drama/Movies


Amphetamine [x]


Artemisia [x]


Bishonen [x]


Do You, Andy…. [x]


East Palace, West Palace [x]


Eternal Summer [x]


Error (Student Film) [x] Raw


For Love, We Can [x]


Formula 17 [x]


Girlfriend Boyfriend [x] Raw


Gloomy Salad Days ep 13-14 [x]


Go Go G-Boys [x]


It Seems To Rain [x]


LanYu [x]


Lost (Student Film) [x]


Love Zero AIDS [x]


Pair of Love (Student Film) [x]


Permanent Residence [x]


Speechless [x]


Somewhere I Have Never Traveled [x]


The Doggy (Student Film) [x]


Will You Still Love Me Tomorrow? [x] Raw


Imperfect (Student Film) [x]


Like Love [x] (2014)


He’s by your side [x]


*Coming Soon* I’m Here (based on true story)


Thai Drama/Movies


An Ordinary Love Story [x] Raw


Bangkok Love Story [x]


Bangkok Online [x] Raw


It Gets Better [x]


Love, Happiness, Remembrance [x]


Love Never Change [x]


Love of Siam [x]


Lovesick The Series [x]


My Bromance [x]


My Familiar People [x]


Never Again [x]


Right By Me [x]


Secret Love [x]


Timeline [x]


Tomorrow I Will Still Love You [x]


Wouldn’t or Couldn’t Love (based on true story) [x]


Love’s Coming [x ]


Room Alone 401-410 [x]


Dangerous Boys [x]


Secret of A Heart That Doesn’t Exist [x]


*Coming Soon* Summer To Winter [x] Trailer


ϟϟ I will be updating with more links and movies. ϟϟ

Friday, March 12, 2010

Ashy Drongo

young

Ashy Drongo


The adult Ashy Drongo is mainly dark grey, and the tail is long and deeply forked, There are a number of subspecies varying in the shade of the grey plumage. Some subspecies have white markings on the head. Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. It is found widely distributed across South and Southeast Asia with several populations that vary in the shade of grey, migration patterns and in the size or presence of a white patch around the eye. Young birds are dull brownish grey. The Ashy Drongo (Dicrurus leucophaeus) is a species of bird in the drongo family Dicruridae.


Приспособление «Мостик» за счет плавного растягивания позвоночника является профилактикой заболеваний спины, снимает хроническую боль в


1027 руб


Описание: парта с доской для рисования Smoby представляет собой единую конструкцию со скамейкой и упором для ног, у ребенка будет

Wednesday, March 10, 2010

Hybrid Child

Hybrid Child


men

Genre . Drame, yaoi, fantastique


studio . Studio Deen


Année de production . 2014-2015


Auteur . Nakamura Shunjiku


doublage . Hirakawa Daisuke ( Hazuki)


Okamoto Nobuhiko (Izumi Kotaro)


Kimura Ryohei (Saya Ichi)


Yonaga Tsubasa (Yuzu)


Résumé


Les Hybrid Child sont des robots androïdes qui évoluent et grandissent selon l'affection que portent leurs propriétaires pour eux, ils reflètent donc les sentiments de leurs propriétaires. A travers ces OAV, on nous présente trois histoires différentes.


- A 8ans, Izumi Kotaro, héritié d'une famille aisée, reccueil Hazuki, un Hibrid child abandonné. Quelles années plus tard, alors que l'esperence de vie d'Hazuki diminue très rapidement, Kotaro va essayer de le sauver


- Saya Ichi, ancien menbre d'un clan, retrouve gout a la vie grace a Yuzu, son hybrid child, ce pendant ce dernier s'inquiète car il ne grandit pas


- Kuroda est le créateur des hybrid child, dans la dernière histoire on nous raconte les raisons qui l'ont poussé a inventer ces êtres

Wednesday, March 3, 2010

"Boys' Love " Yaoi and Art Education

man

"Boys' Love," Yaoi . and Art Education:


Issues of Power and Pedagogy


Brent Wilson


The Pennsylvania State University


Masami Toku


The California State University, Chico


*This is A chapter of a special issue book for Semiotics and Art/Visual Culture (Shank Ed.) which will be published by the NAEA (National Art Education Association) in 2003.


"Empire of Signs" was what Roland Barthes (1982) called Japan. In his introductory essay about this "faraway" nation he wrote:


Now it happens that in this country (Japan) the empire of signifiers is so immense, so in excess of speech, that the exchange of signs remains of a fascinating richness, mobility, and subtlety, despite the opacity of the language, sometimes even as a consequence of that opacity. The reason for this is that in Japan the body exists, acts, shows itself, gives itself, without hysteria, without narcissism, but according to a pure--though subtly discontinuous--erotic project (pp. 9-10).


In his readings of "the empire of signifiers" Barthes directed his attention to a stationery store, bowing, choptsticks, pachinko parlors, packages, the eyelid, and millions of bodies. It is to millions of bodies--graphic bodies--that we wish to direct our reading--an interpretation of a facet of Japan that appeared after Barthes completed the analyses of his "fictive Japan." In his reading of a fictive, and yet not-fictive Japan, Barthes assiduously avoided "vast regions of darkness (capitalist Japan, American acculturation, technological development)" (1982, p. 4). Indeed, it is to a vast region of darkness to which we will attend.


The region of bodies we wish to explore mimics the capitalist system of manga--comic books--which in Japan is indeed big business. Nearly forty-percent of all publications in Japan (Schodt, 1996, p. 19) are in one way or another connected to manga, versions of which are read by infants and their grandmothers in the Empire of Signs. But the comic book para-phenomenon we wish to explore exists primarily among teenagers and young adults. It has to do with art, narrative, and the exploration of gender, identity, and sex. It is an enterprise that points to a failure of art education--or is it a failure? When schools educate students to appreciate and create one form of art and then, when those students end up appreciating and creating quite another form of art, then is it a failure?


Dojinshi and the Comic Market


Most popular visual culture is "cooked-up" by profit-seeking adults and fed to hungry youth, but this is not always so in Japan. The semiannual COMICMARKET (also known as Comiket and Comike), which began in 1975, is a visual cultural phenomenon shaped almost entirely by youth; its meaning and its consequences are of global importance. Art educators need to understand what's happening in Asia, how it's spreading to the West, and its implications for art and visual cultural pedagogy.


COMICMARKET is now held in Tokyo Harbor at the Tokyo International Trade Center also known as Tokyo Big Sight. The center houses six enormous halls, 80,000 square meters of space devoted to the exhibition and sale of comic books (dojinshi) created by amateurs. During the comic market's three days, 35,000 groups, consisting of perhaps as many as 100,000 young creators of dojinshi manga, sell their magazines to approximately 420,000 otaku (fans). (The term dojinshi was originally applied to manga-like fanzines, the hobby magazines and comic books produced by amateurs. Dojin means folks who share the same taste and shi means magazine. The term dojinshi has come to refer to both a club or circle of high school or college students who create their own comic books, and to the comic books themselves. The term otaku which is applied to the purchasers of dojinshi and manga implies a passionate or even fanatic desire to collect artifacts and information related to manga, anime, video games, and, of course, dojinshi.) COMICMARKET and the 2,000 or so other dojinshi comic markets held in Japan each year are, we think, the most easily identified phenomena in a vast visual subculture created mostly by teenagers and young adults mainly for themselves. How did the phenomenon begin?

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