Yaoi dating game Top 10 music singles and albums

Yaoi dating game Top 10 music singles and albums.

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Product Details

ISBN 9781435741027 Copyright Chris Nichols (Standard Copyright License) Edition Second Edition Publisher Miho Manga Published July 29, 2008 Language English Pages 122 Binding Perfect-bound Paperback Interior Ink Black & white Weight 0.52 lbs. Dimensions (inches) 5.83 wide x 8.26 tall Report This Content to Lulu >

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St41n 2normal Нравственное поведение животных — круто

st41n. 2normal: Нравственное поведение животных — круто

st41n. 2normal: Шайтан порошок крутой

st41n. 2normal: *дна

st41n. 2normal: про холодец у меня просто нет слов. у дна нет дня. я уже не знаю, куда глубже то.

normal. 2st41n: да, что-то поломалось. но там весь сайт годный))

st41n. 2normal: Ошибка 500 в рекурсии

Jebb. лада рапан — прошу прощения но у меня мусорное ведро по дизайну совпадает с кузовом авто.

st41n. 2normal: лада рапан — страшилище, но круто, что были идеи.

normal. за 15 лет до Теслы -- [link] Лада РАПАН.

normal. Милонов явно ворует хлеб (т.е. количество упоминаний в новостях) у Жириновского. Вольфыч явно отстает от трендов, хоть бы подсказал ему кто)Недели не проходит без Милонова на главной странице яндекса)

normal. 2kost: вообще да, перепутал с кем-то другим) Может Майн Рид?

kost. 2normal: почему теоретик? он достаточно много путешествовал

st41n. 2normal: помидорное творчество — умат!

st41n. 2normal: мура это какая-то, а не онлайн прототип apple watch. одна компания, не сильно постаравшись, рекламирует себя.

st41n. 2normal: про машину — срыв мозга! это ж надо было так заморочиться.

normal. 2kost: Жюль Верн был романтик (и теоретик), а тут суровая правда жизни))

kost. 2normal: у жуля верна индусы за жемчугом ныряли, болели от декомпрессии и погибали. измельчали.

normal. 2st41n: меня впечатлил индус, который ныряет за песком 200 раз в день. а мы тут на жизнь жалуемся друг другу)))

What is an "anime"?

What is an "anime"?

I am a big fan of anime movies, series and culture. As every big anime fan I also have my top anime list, that I wish to share with you, because I believe that these animes deserve to be popular and watched by many people as possible. I will give you the title of the anime and a short presentation of the movie itself.

But firstly lets start by explaining the meaning of the word "anime" and then I will give you my top 10 list in another post in this category.

What is an ''anime''?

"Anime" is a short version of the word "animation". Anime is a word used only outside of Japan for the Japanese animations. The anime s are animations with a specific style of drawing that is typical for Japan and Japanese artworks. These animations are created for growing up or adult audience. The Japanese animation is famous all over the world and has thousands of names, so the word anime became the unique name of the genre responsible for the Japanese animation.

Some animes are entirely created by hand, but the new technologies makes it possible for anime artists to use computer animation. Which is better, is still a matter of taste. Often the animes are representing a tv adaptation of Japanese comics called "manga". Many animes are adapted for films such as "Dragon Ball" and "The Last Airbender".

"Anime" history

The history of Japanese animation begins in the beginning of the 20th century when the Japanese animators start to experiment with different animation techniques. Animes start to grow on popularity in contrast with the underdeveloped film industry. At that time the film industry in USA is having big budgets, but that doesn't stop the Japanese animators to create quality animes with smaller budgets. The animes give a lot of space for imagination, fantasy, action, drama, romance and much more, all this with no expensive actors, decors or special effects.

The growth of new animes and new anime genres continues and in the 21th century. Here is a list of all the known anime genres and if I missed some please tell me in the comments :)

Anime genres

Action - a lot of action, blood and violence

Mystery - tangled animes with an unpredictable ending

Horror - brutal animes with a lot of blood, gore and scary stuff

Samurai - battles involving samurai warriors based on a real or fictional persons

Ecchi - these animes are mostly for adults. They contain nudity and erotic scenes.

Mecha - Mecha comes from "mechanical". These are animes for robots or machines.

Sports - these are animes made for different type of sports like soccer, box, american football etc.

SciFi - these are unreal fantasy animes which also includes other genres

Deamons - animes in this category include characters like demons, devils, vampires and other creatures

Cyber Punk - this genre includes all high-tech animes, hacking, cyborgs, cybernetics and stuff like that

Game - these are animes based on video games

Bishonen - beautiful boys

Bishoujo - beautiful girls

Shounen-Ai - love between boys with no sex..

Yaoi - love between boys including sex..

Shounen - this is a genre including specifically animes made for boys - basically action animes

Shoujo-Ai - love between girls with no sex..

Yuri - love between girls including sex..

Shoujo - this is a genre including specifically animes made for girls - basically drama/romance animes

Mahou Shoujo - animes for girls with magical powers

Seinen - a genre directed at the adult men auditory

Josei - a genre directed at the adult women auditory

Music - it is a genre with a lot of music, dancing, singing and a big soundtrack

Kodomo - a genre for the little kids, nice anime with happy ending

Drama - a sad and gray animes with a bad ending

Djibli - fairy-tales by the Djibli studio

Martial Arts - it is an anime based on martial arts, fighting and combat techniques

Parody - parodies based on an existing animes

Historical - animes based on historical characters or events

Dementia - these animes are based on psychological illnesses

School - animes that are based on the events in a school or around it

Mahou shoujo (Magic girl)

Lol sweat is dripping from my forehead, but I will continue with the description of the word "anime". Our next stop is:

Anime terminology

Anime Music Video (AMV) - a music video based on an anime

Chibi - this is an unusual style of drawing which is characterized with an unpropitious body parts

Hentai - this is an anime with a clear pornographic content

J-pop - Japanese pop music

Original Video Animation ( OVA) - these are animes directly produced on dvd or VHS and not shown on TV

Cosplay - comes from costume play and it is the act of dressing like an anime character and wearing these clothes

Opening/Ending - the intro for the anime and the ending of the anime

Manga-ka - expert on the manga art

So I have explained the basics in the world of "Anime". I hope that this article was helpful for you and that you understood something from it.

References - this is a very important part of an article and I will try not to miss it.

Don't forget to leave your comments bellow :)

I will be posting a second part of this post in which I am going to give you my top 10 animes list.

Articleshaven com Keyword Analytics

Articleshaven.com Keyword Analytics

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Articles sur la fanfiction

Articles sur la fanfiction

Bonjour !

Comme j'avais sollicité l'aide de cette communauté à ce sujet, je reviens par ici pour vous donner le lien de la série d'articles en cours de parution que j'ai écrits sur la fanfiction (enfin, en fait c'est mon article coupé en 3).

Jo Ann Von Haff a écrit une première partie, avec son avis d'auteure opposée à la fanfiction sur ses oeuvres. La fanfiction vue par une pas-si-fan .

Et elle est en train de poster, au rythme d'une par semaine, les trois parties de l'article que j'ai écrit, dont voici la première partie. De la fanfiction 1/3 (je le mets en lien maintenant si certaines veulent suivre la parution et les commentaires, mais je ne reviendrai pas par ici pour parler des autres. il faut suivre la série d'articles pour ça).

Merci de ne pas trop lyncher Jo Ann pour son premier article (elle s'est pris quelques réactions très fortes). si elle a son opinion personnelle à ce sujet, c'est bien elle qui est venue me voir pour me demander d'écrire cette série d'articles, en sachant parfaitement que j'en suis une grande amoureuse. )

Par ailleurs, comme j'avais demandé de l'aide à ce sujet aussi, le résultat du sondage fait la dernière fois sur les auteures de MM est ici. Auteures et lectrices de MM et orientation sexuelle .

Voilà pour les liens et un grand merci à toutes celles qui ont participé. ^^

87 Comments

87 Comments

The mechanics and ideas in this game have a lot of potential, but I feel like there are some serious issues with the execution.

Firstly, the sound design. Or more specifically, the lack of any attempt whatsoever to make the game not be annoying as hell as far as sound. This game may be "family friendly", but the words I want to say whenever I hear one of those stupid laughs certainly aren't.

Annoying stock sounds and repetitive music aren't the only issues with this game, though. It also suffers from what appears to be both poor optimization and no attempt to properly integrate it into the site. If you're going to only make the game available through a web player where the only place to post comments is on the same page, MAKE A PAUSE MECHANIC. I had to type this comment in an external text editor because the game is sitting there, lagging the hell out of my browser, while I'm trying to scroll down to the comments section. Having the game start automatically doesn't help either. Either way, it lags a lot. It is admittedly partially my computer, but I've seen more complex games that have run fine on here, so there's definitely some fixing you could do.

I know it's kind of nitpicky, but playing this game was downright miserable because of just these two things. Cannot in good conscience recommend this to anyone.

Harsh? Maybe. But I'm already being nice by actually telling you WHY your game annoyed me, not really in the mood to go the extra mile and throw in a few compliments.

Search results for www yaoitales com

Search results for: www.yaoitales.com:

Webcomic Profile: Yaoi Tales: The Little Merman, an online comic

Ruining your favorite Disney stories & Generic fairy tales since October 2008. Warnings: BL/Homosexuality. KudaKitsune cannot be made responsible for any homophobic.

www.smackjeeves.com/comicprofile.php?id=43796

Yaoi Tales: The Little Merman: Comics - The Little Merman

The Little Merman KudaKitsune 08 Oct 2008 02:21 pm. Our first story is the yaoi version of The Little Mermaid. I'm not really sure how many pages it will be, but it.

Yaoi Tales: The Little Merman: Home

Yaoi tales

Hi again, I am so sorry for not posting all of last year. Truth is that I had started writing heaps of stories I just never got round to finishing them :

Yaoi tales: Naruto (Kiba's new jutstu)

[tales of yaoi@lj.com]

Руйнівники міфів

Руйнівники міфів

Оригінальна назва

MythBusters

Жанр

Науково-розважальне шоу

Джеймі Хайнман (Jamie Hyneman)

Адам Севедж (Adam Whitney Savage)

Грант Імахара (Grant Imahara)

Кері Байрон (Kari Byron)

Торі Беллечі (Tory Belleci)

Про шоу

Вам також часто здається, що більшість легенд та чуток не мають нічого спільного з реальністю? Тільки на телеканалі «Мега» справжні науковці щодня доводять їх правдивість чи безглуздість за допомогою перевірених методів! З понеділка до п’ятниці о 16:00 дивись «Руйнівників міфів» та вирішуй, що правда, а що ні.

Замість того, щоб критикувати почуте або побачене, талановита команда науковців у складі Джеймі Хайнмана, Адама Севеджа та трьох молодих дослідників – Гранта Імахара, Кері Байрон і Торі Беллечі, перевірятиме усі міфи на практиці. «Руйнівники міфів» спростовують легенди, чутки, критикують сцени із найвідоміших блокбастерів та просто розважаються!

Спостерігай за найбожевільнішими дослідами у лабораторіях і на відкритих майданчиках, за вибухами, неймовірними випробуваннями для багатостраждального манекена для краш-тестів та неймовірними приладами, які створюють для того, аби вони попрацювали лише кілька хвилин! «Руйнівники міфів» знають, як зробити науку цікавою!

Young Artist Awards (2006) – спеціальна відзнака Інституту знань та соціальних відносин.

Astra Award (2008) – номінація на нагороду «Найкраще міжнародне шоу».

Emmy (2009) – номінація на нагороду «Найкраща реаліті-програма».

Emmy (2010) – номінація на нагороду «Найкраща реаліті-програма».

Адам та Джеймі читають лекції у найвідоміших університетах США, беруть участь у державних соціальних програмах, а також стали почесними членами кількох шанованих наукових товариств США.

В одній із серій «Руйнівників міфів» участь взяв сам президент Сполучених штатів Барак Обама (Barac Obama).

Адам та Джеймі побували на обкладинці видання «Popular Mechanic», знялись у ролі самих себе у кінофільмі «The Darwin Awards» та стали улюбленцями таких американських ток-шоу, як «Late Show with David Letterman» та «The Late Late Show with Craig Ferguson».

Найсимпатичнішого науковця з «Руйнівників міфів» – Кері Байрон, видання «Wired Magazine» назвало «Найсексуальнішою заучкою».

Role Play Profile

Role Play Profile

One of the easiest uke to recognize by sight. Your flamboyantly gay behavior makes it easy for seme to prey upon you, and that is exactly what you want, and you usually have a few tricks up your sleeve as well. You most often have colored hair, designer clothes, and eyes that are constantly roaming, searching for the perfect partner. You are best paired with the Chibi Seme, who will rise to your challenge with their mischievous nature.

Most compatible with. Chibi Seme

Least compatible with. Sadistic Seme, Opportunist Seme

I'm a fucking uke!D,x

Guess it's time for this "About Me" section everyone has on their profiles. )

Name: Miriam "Mimi" ---- (Just call me Mimi or Corbenic)

Age: 15 years and 7 months

A few extra things: I like to play video games and aim for that as my career, or making them anyways, either that or acting. ] I'm pretty easy to get along with unless you cock an attitude, because then I will cock one right back.I have two dogs, Chunk and Mariella, who I will put pictures up of soon.I love anime, especially yaoi and yaoi-shota.

Now to move on to more important things.

Глянула я в путеводитель и не нашла там тему связанной с этим распрекраснейшим жанром!Исправляю данную оплошность ))

Глянула я в путеводитель и не нашла там тему связанной с этим распрекраснейшим жанром!Исправляю данную оплошность:))

Сей жанр предполагает присутствие в сюжете отношений девушка/девушка, а чаще всего их доминирование:) Скажем, прямая противоположность яою, где девушки представлены во всей своей красе, а не в качестве серого фона для красавцев-мужчин.

Для справки: Yuri- в переводе с японского означает "лилия", поэтому различные юрийные сайты связывают свои названия и символику с этим замечательным цветком.

В отличие от яоя,производство манги и аниме сего жанра не так развито, поэтому поклонникам юри приходится трудновато( ну, это я на своем опыте); если yaoi в основном рисуется/придумывается девушками/женщинами то в рисовании/придумывании юрийных историй активно участвуют мужчины, посему хардкора и анатомических подробностей много:))) Есть жанр помягче - седзе-ай,для романтиков.

Примеры:

Всем известная " Юная Революционерка Утена", "Лав Хина", "Сэйлор Мун", "Версальская роза", "Чобиты" и т.д.

Ссылки:

lililicious (http://lililicious.cjb.net/) - много юрийной манги на английском *_*(кстати некоторые переводы отсюда есть на Дримслаб)

yuricon (http://www.yuricon.org/) - мекка юрийщиц:)

otenba (http://otenba-quality.com/) - тоже манга на английском.

В этой теме, дорогие юрийщики и юрийщицы, давайте делится картинками, своим творчеством и ссылками по теме:) Ведь все это на вес золота;)

Baast

Юри. очень симпотичный мне жанр. Не кавай, но милый.

После Утены воспринемаю его как-то нейтрально. то есть смотрю и не смотрю. Все-таки первый просмотр был отведен именно яой

We would like the first article here to introduce the reader to the various styles of manga There are mainly six different kinds of manga

We would like the first article here to introduce the reader to the various styles of manga. There are mainly six different kinds of manga.

The first is Shoujo . which is meant for girls. It focuses on romantic stories, thought it can have other elements.

Josei manga can be described as the grown up version of Shoujo. While Shoujo is targeted at teenage girls, Josei’s target audience includes adult women. It’s stories, correspondingly, revolve around romances involving adults.

Yaoi or Slash manga covers male relationships, sexual and otherwise. This category, too, is mainly targeted at female audiences, though it has significant male readership. It contains plenty of pornographic material, making the reader base mainly adults and teens.

ecchi/hentai

Ecchi or Hentai manga is popularly known for pornographic elements. The reader base consists of adults or teens.

In future articles, we have a lot more manga to cover! We hope that by reading this blog, readers will have a more comprehensive idea of manga, and those who, till now, had very little exposure to it, will be converted to fans of this beautiful category of cartoons.

Awsomewinter

Awsomewinter

when my mom took care of babies my favorite story is about this toddler named eli who took a while to talk and everyone was concerned about it but one day my dad was like “eli, can you say ‘car’?” and he looks at my dad and goes “yes, i can. why do you ask?”

hades isn’t a badass. hades named his three-headed-guard-of-the-underworld-dog spot. hades whispers to his flowers to make them grow. hades grows fruit. there’s no sun in the underworld.

hades isn’t a badass. stop saying this false thing

In myth, Hades’ most remarked upon traits are 1) how responsible/reliable he is, 2) how sober-minded he is, 3) how dedicated, implacable, and long-remembering he is, and 4) how boring and grim most of the other Olympians think he is to be around. Oh and notably, that if you play him a song he likes, he’ll basically give you anything you ask for (though not without conditions.)

Hades is, canonically, a gigantic nerd. If they’d had train sets, he’d have been the Olympian who collected train sets, meticulously corrected with exacto knife and hobby-paints the errors toy-makers introduced to those train sets, and then endlessly talked about those train sets to anyone sat next to him at thanksgiving dinner (when he wasn’t trying to rope them into an interminable discussion about gardening or divine law, that is.)

He’s the sort of god who frequently handed out punishment like giving someone a million-piece puzzle where every piece is shaped the same, that resets itself at the start of every day if you don’t complete it, and then he keeps the last piece on his person at all times as a secret private joke for eternity because he finds you personally distasteful (not even because he’s mad at you or hates you particularly; he just doesn’t like you as a person)

He is. A. Gigantic. Nerd.

He’s also like one of the only gods who is faithful to his wife. And he listens to her like when she asks for a soul to be released and he’s like “But honey, the rules.” And she just gives him that look and he goes “Yes dear,” and lets the soul go with the easiest freaking instructions ever in a myth. And the human still fucks it up. Not his fault Persephone, not Hades’ fault this time.

Essentially, Hades is sorta like the accountant suburban dad who collects really specific figurines and gets really grumpy when people mess up his lawn. Do you know how hard his wife worked on those roses? He is calling his attorney. Oh wait, he is also an attorney.

Accueil

Accueil

Bienvenue sur cet énième site yaoi, en espérant que mes histoires vous plairont ^^

N’ayant rien de plus à rajouter je souhaite juste une bonne lecture.

>>> Avant dernier chapitre d’ Androgyne en ligne. <<<

>>> Dernier chapitre en ligne jeudi <<<

>>> Épilogue en ligne samedi <<<

IMPORTANT, pour la newsletter, il suffit d’aller dans <meta> (en bas à droite) et de cliquer sur <inscription> .

26 Réponses to &#8220;Accueil&#8221;

Salut!

Je ne suis pas exactement une nouvelle lectrice parce que je te suis depusi archiiii longtemps xD Ca date environ de quand tu avais ton ancien blog&#8230;

Resources

Resources

At Elmcroft we understand the decision to place yourself or your loved one in another’s care is a complex one; there are many factors to consider. We would like to be a resource to help you make the decision that is best for you and your family based on your specific needs and wants. We have assembled some resources below to help, but we encourage you to reach out to one of our communities for assistance as well.

When It’s Time

What are the signs that a move to a senior living community might be a good option?

Mobility issues – difficulty with daily activities or frequent falls and other safety concerns

Memory loss – misplacing items or wandering away from home

Medication concerns – forgetting to take medications as prescribed

Lack of socialization – not interacting as usual; untidy surroundings and poor personal hygiene

Fear and depression – unwilling to seek medical help or assistance; withdrawal from others

Lack of appetite – not receiving proper nutrition throughout the day

If you or your family member are experiencing any of these signs the move to a senior living community may in fact be a very good option. Whether a long-term or short-term stay, seniors often improve through socialization, regular diet and medication management, as well as relieving the burden they often feel they have placed on their family. You are free to resume your relationship and enjoy the company of your loved one without the worry of providing for their needs.

Choosing the right community

You should take the time to visit the senior living communities you are interested in to see which will be the best fit for you. Each visit is an opportunity to get to know the community and staff better.

The Assisted Living Federation of America has developed an evaluation tool to help you get all the answers you are looking for before you choose the community that’s right for you.

Financial Considerations

How will you cover the cost of a senior living community? This is a concern for many families. Follow the link below to view the financial options available to seniors and their families

Making a successful transition

We understand that you, just like your loved one, are going through a life-changing transition. Our goal is to make that process as comfortable as possible – for both of you.

You will have more quality time with your loved one because our caregivers are doing their day-to-day physical care. And you will have peace of mind knowing that your loved one is getting 24-hour care and you can focus on your own health needs.

It will take you and your loved one time to adjust, but remember why you chose to make the move to a senior living community.

Give your relationship time to adjust. You are still an important part of your loved one’s life.

Take care of yourself. Allow time for physical exercise, rest and play. Nurture yourself.

Reconnect with friends; surround yourself with supportive people.

Making the decision to surround your loved one with trained professionals who can meet their needs is a selfless act. It is important that you understand you will still be involved in medication and level of care concerns and that no one lights up your loved one’s life like you, so visit often and cherish those moments.

Prospects for AGT Las Vegas Week per Yaoi Huntress Earth

Prospects for AGT Las Vegas Week per Yaoi Huntress Earth

Well, we&#8217;ve all been really busy here at Pure America&#8217;s Got Talent and so we haven&#8217;t been able to provide the commentary that we usually offer. However, Yaoi Huntress Earth has provided commentary in the comments of this post on the various day 2 acts potential in Las Vegas. Here&#8217;s her write up:

As for Day 2&#8242;s passed acts&#8230;

Echo of Animal Gardens (Animal Trainer) . It was nice, but wasn&#8217;t there another bird act earlier?

Vegas Week: She&#8217;s going to have to do more if she wants to go farther. The parrot singing alone isn&#8217;t going to cut it as a Vegas act.

Mrs. Smith (Performance Artist) . Sorta reminds me of Mary Ellen except with some talent and is a lot less painful on the eyes. Not a bad guitarist.

Vegas Week: Unless she can expand what she does, I don&#8217;t see her going beyond that. I&#8217;ll be interested to see what Peirs thinks.

Saint Luke&#8217;s Bottle Band (Bottle Band) . Fun just for how odd they are. I would like to see them take on some more contemporary stuff next time.

Vegas Week: Their novelty might get them into the Top 40, especially if they can do a variety of music.

Lys Agnes (Opera Singer) . I normally have a problem with singer who could compete on any generic singing show appearing on this one, but I’ll admit she’s really good and very pretty (just love her hair).

Vegas Week: Unless she really screws up, she’s a shoe-in for the Top 40.

The Midget Dancer . As much as I like midgets, I wouldn’t have put her through.

Vegas Week: I predict Vegas Week will be where it ends.

Those Funny Little People (Variety Act) . They remind me of the Zupper Stars. Cute in a creepy way for a little while, but then I wanted to see them do more. Though it was funny when they were tormenting Piers.

Vegas Week: It could go either way.

The Silhouettes (Dancers) . That was beautiful and one of the best auditions I’ve seen this year.

Vegas Week: They’ll pass and if they do what they did last year with giving ten acts an automatic slot, I could see them getting it.

The Kinetic King . That was very unique and fun, but I wonder how he’d sustain a show or top that.

Vegas Week: About a 70% chance of going through.

Takeshi Kaneshiro &ndash; a dream for the Japanese school girls or &laquo;simply stay silent and smile&raquo;

Takeshi Kaneshiro – a dream for the Japanese school girls or «simply stay silent and smile»

Kaneshiro started his career as a singer and recorded albums in Cantonese and Mandarin under the nickname Aniki, which means “elder brother” in Japanese. Just because we do not have one strict point of view on the artistic value of Kaneshiro’s music creations, we would not reveal our subjunctive opinion concerning them, but to those of you who are still curious we may suggest you to search for some of his early musical exercises on YouTube.

What is beyond all doubts is his excellent acting ability. The first distinguishing role of Takeshi Kaneshiro in movies was the role of the quiet guy from Wong Kar-wai « Chungking Express» where Takeshi appeared to be at one shooting stage together with Tony Leung. Kaneshiro’s early roles are versatile and not all of the movies he took part in at the beginning of his career can be considered valuable events in the cinema world. Rather interesting film called «Mou mian bei» was shot by Sammo Hung. Takeshi played a young cop assigned to the position of Department Chief having excellent education. He was hanging quite awesomely in pair with Sammo Hung but that time could not reach the level of real star though.

Klebkatt host and creator of Bad Fanfiction Theater I &lt;3 Fanfiction Read Not and The Not Art has worked tirelessly to produce and release new content at least weekly even without regular reliable home internet connection even during the bedbug infestation that plagued her community even after the tragic passing of her mother last year She's one of the kindest and most hardworking people I know or have ever known and I consider myself fortunate not only to know her but also to be her regular cohost

Klebkatt, host and creator of Bad Fanfiction Theater, I <3 Fanfiction, Read Not, and The Not Art, has worked tirelessly to produce and release new content at least weekly, even without regular reliable home internet connection, even during the bedbug infestation that plagued her community, even after the tragic passing of her mother last year. She's one of the kindest and most hard-working people I know or have ever known, and I consider myself fortunate not only to know her, but also to be her regular co-host.

She has slowly built her viewership and works hard to continue that trend. However, another hurdle has reared its head.

In short, her computer is in desperate need of replacing. It's starting to fail in a number of ways, and she's begun to identify the sure signs that it's on its last legs. It is her only functioning system, and she uses it for all of her work, including audio and video production and editing. This is her livelihood. She no longer has a working car, and jobs are not plentiful around here. Things are definitely looking up with her series -- and she does an incredible amount of work to produce all of these series regularly and with such consistent quality, including walking to the library every week to upload and administrate -- but she needs help for such a significant cost.

And so, we'll be doing a marathon this coming week! We’ll be starting the show at 6 PM EST on Friday, April 17th!

We’ll have readings, drawing, games, talk time, and guests! Plus we’ll be reading a fan’s work live on air!

We will have a Paypal (@ klebkatt@gmail.com) up and running, you can also donate through Patreon (https://www.patreon.com/user?u=85069 ) or right on her Youtube channel page! (https://www.youtube.com/user/klebkatt ) We plan to use youtube to stream the marathon, so it'll probably be right at that same URL. Even if you can’t donate, please spread the word! We need all the help we can get!

There's a tumblr post here if you'd be so kind as to help us reblog and get the word out!

Fantastic Four Vol 1 (Marvel Masterworks) ebook downloads

Fantastic Four, Vol. 1 (Marvel Masterworks) ebook downloads

Fantastic Four, Vol. 1 (Marvel Masterworks) book download

Stan Lee and Jack Kirby

The Ultimate Xbox Strategy Guide online

The Ultimate Xbox Strategy Guide book download

Downloads Iron Sunrise (Singularity) book

Iron Sunrise (Singularity) book download

Downloads 35 YEARS STRONG.(Entertainmen. Helmuth Rilling and Royce Saltzman had no idea the workshop they put on in 1970 would mature into one of the nation's. from: The Register-Guard (Eugene, OR) book

35 YEARS STRONG.(Entertainmen. Helmuth Rilling and Royce Saltzman had no idea the workshop they put on in 1970 would mature into one of the nation's. from: The Register-Guard (Eugene, OR) book download

Trying on the Yaoi Gender Mix for Size

Trying on the Yaoi Gender Mix for Size

Yaoi, to my understanding, are cartoons involving love between young men possessed of a large dose of feminine beauty. I have been wondering lately whether such a concept has any application to me. (I realize that I have briefly explored this concept of gender before. but I think I am a bit more open to the idea than I was then .)

Thinking about the gender spectrum I outlined last time. what if I took a step back from being female, tiptoed across that tipping point back to the male side – just? My hair is already a profound statement that I have moved along the spectrum towards femininity from my old masculine self; I could push it further by wearing a bit of makeup, or jewelry, or piercing my ears.

(Funny that! Piercing my ears is something I have been scared to do as Janie, but it seems like one of the easiest steps to take if I consider it in the context of feminizing my male self.)

Doing this would have a bunch of positive consequences.

First, I could stop leading a double life – which is as much of an issue internally as it is externally &#8211; and just be a guy, although, at times, a very feminine guy.

Although I have never been a fan of feminine men and never wanted to be one myself, being Janie has changed that somewhat. I actually find a haunting attractiveness in both men and women that combine genders in a particular way, which is to say that they are nominally masculine but otherwise entirely feminine. The woman who prefers to dress in masculine clothes and wear her hair short but otherwise is feminine; the man who is smooth and delicate and grooms and conducts himself in a feminine way, whether he wears women’s clothes or not, whether he considers himself female or not. The picture – and when I say picture, I mean both in terms of appearance and behaviour – is one of femininity with an alluring difference.

Second, it would be so much easier for me to understand myself as being a guy who is more or less feminine according to his moods and circumstances, just as I am more masculine when I play hockey than I am when I cook a gourmet meal. My friends would see more or less the same person they do now, but I wouldn’t be a different person than I am when I am feminine.

Third, if I am ever “caught” in my feminine moments, say wearing makeup or nail-polish or whatever, it would be so much less of a big deal, again because rather than having a secret identity or a secret life (or gender), I am just a few shades different than they have seen me all along.

It may seem like I am drawing large consequences from an insignifcant change, but the change is not a small one, I don&#8217;t think. As always the more of your opinions I get, the more helpful it will be. Please chime in.

(Note: The drawing is from http://irreeltal.deviantart.com/art/Envy-gender-bender-114366754. If the artist wants this removed, please contact me, and I will be happy to comply.)

Yaoi titles from Digital Manga and Central Park Media are a big part of the manga bestseller list at Amazon com They are three of the top five four of the top ten and six of the top fifteen manga titles as of November 7 2004 as follow

Yaoi titles from Digital Manga and Central Park Media are a big part of the manga bestseller list at Amazon.com. They are three of the top five, four of the top ten, and six of the top fifteen manga titles as of November 7, 2004, as follow:

#2 Desire (Digital Manga)

#3 Selfish Love: Book 1 (Central Park Media)

#4 Golden Cain (Central Park Media)

#8 Passion: Volume 1 (Digital Manga)

#12 Only the Ring Finger Knows (Digital Manga)

#13 Selfish Love: Book 2 (Central Park Media)

Comparing this list to the most recent Bookscan list of the top graphic novels, the title at the top of both lists is the same, Del Rey's Tsubasa Volume 3 . but none of these yaoi titles appear anywhere near the top of the Bookscan list. Amazon does provide numbers to Bookscan, but its numbers are apparently overwhelmed by the volume of sales through the brick and mortar chains. None of the Digital Manga or CPM titles listed above appear in the top 50. The top yaoi title on the Bookscan list is Tokyopop's Gravitation Volume 8 . at #21.

Why the difference? We can only speculate, but we see a couple of factors at work. One is that purchasers of these yaoi titles may prefer the privacy and relative anonymity of purchases made through an online seller, rather than by interaction with a retail clerk. But perhaps more importantly, display and merchandising may be a factor in the brick and mortar stores. Neither Digital Manga nor CPM have the merchandising clout or number of titles as the publishers with titles at the top of the graphic novel lists, and it may also be that the Digital Manga and CPM yaoi titles are available in fewer stores or less prominently displayed because of their content. But given that Gravitation and Fake (another Tokyopop yaoi title) have done fairly well in bookstores, it seems that if display is a factor, it's probably more a matter of the publishers involved than the content.

The takeaway from this phenomenon should probably be that yaoi manga appears to be developing a growing audience in the U.S. (which we believe to be largely female, as it is in Japan), and that retailers of all types can probably get more sales by letting consumers know they have it and making a comfortable environment for purchasing it.

De nos jours dans une petite ville huppée anglaise du nom de Dugros et plus précisément dans la rue de Mandolyn Street se trouve le pensionnat des Orphelins Indésirables Le manoir est en effet un orphelinat ayant comme particularité d’accueillir tous les enfants dont personne ne semble vouloir (handicapé physique trop vieux pour l’adoption ayant des problèmes psychologiques ou des antécédents de violence etc )

De nos jours, dans une petite ville huppée anglaise du nom de Dugros, et plus précisément dans la rue de Mandolyn Street, se trouve le pensionnat des Orphelins Indésirables. Le manoir est en effet un orphelinat ayant comme particularité d’accueillir tous les enfants dont personne ne semble vouloir (handicapé physique, trop vieux pour l’adoption, ayant des problèmes psychologiques ou des antécédents de violence, etc. ).

Dirigé depuis 50 ans déjà par la famille Benclarck, le pensionnat offre une éducation stricte et de qualité à ces enfants, sous des principes d’égalité des sexes et d’une curieuse androgénéité des pensionnaires (garçons portant les cheveux longs, filles portant le pantalon).

Le manoir est divisé en deux ailes. L’aile Est, réservée aux garçons, et l’aile Ouest, réservée aux filles. La première est surveillée par le délégué True, tandis que la seconde est surveillée par la déléguée Cathy. Les deux ailes sont sensées ne jamais se rencontrer. Mais les pensionnaires de Mandolyn Street ont leurs petits secrets.

D’ailleurs, le manoir lui même a un secret. Un secret qui ne devrait jamais être dévoilé

Acknowledgments

Acknowledgments

Chapter 3

Literature review

Although yaoi doujinshi spring directly from Japanese cultural phenomenon that have received increased academic attention in recent years— anime and manga —surprisingly little has been written about them specifically. The small pool of English-language literature studying yaoi / shonen ai as a genre 16 is almost exclusively focused one of three subjects: mainstream manga and anime . real-life queer studies, or the American ‘mirror’ community of boy-love fans. The material available touches upon doujinshi only as it relates to these categories, and often only in brief, making it difficult to get an absolutely clear picture of the field—particularly of the details.

However, considering the obscurity and semi-underground nature of the amateur comics subculture, it seems fortuitous that there is any documentation of it in English at all. Examinations of mainstream manga and even American fanfiction have produced theories that are also valid when applied to yaoi doujinshi . and contrasting the experiences of desire between real same-sex people with the images portrayed in mass media gives insight into the boundaries of the fantasy. So while the accessible literature is scant and focused mainly on issues to which doujinshi are only peripheral, what resources do exist are still quite valuable.

The materials containing information on doujinshi (and the topics related to it) range from Internet articles written by the fans themselves to professionally published anthropological studies. I have gathered some of the most coherent summaries of the Internet discourse about slash and yaoi fanfiction, books about factual Japanese homosexuality in the past and the present, and articles concerning narrative in Japanese media. The texts described below have particularly informed my analysis of the doujinshi used in this thesis.

A great many of the existing theories about why young Japanese women like to read and write about young men in relationships have to do with the cultural expectations and pressures they deal with day to day. Therefore understanding the fundamental constructions of the Japanese cultural milieu is essential; for example, one has to know how and why collectivism operates in Japanese society before its influence can be seen in the way girls suppress their own personal sexuality only to express it through doujinshi (they subordinate their own personal and potentially disruptive sexual desires in order to fit in.) The Japanese Today: Change and Continuity is a useful reference to look up generalized cultural trends and get an overall picture of some aspects of Japanese life. The chapter on women’s position in society and how they are treated by men is especially helpful in extrapolating why some doujinshi fantasy themes, such as the extremely sensitive, caring and domestic male, are so common.

However, there are certain problems with this text on the basis that it does oversimplify, and occasionally offers an anachronistic, Orientalist viewpoint. The sentence “Japanese men are blatantly male chauvinists and women seem shamefully exploited and suppressed” seems to be overstated, for instance, though from my personal experience it also has a certain ring of truth; for that reason I attempt to interpret this resource with discretion and utilize it mostly to corroborate previously gained university knowledge. I feel justified in claiming it as a legitimate reference because frequently in the name of intercultural education simplifications are made; there will always be many exceptions to the “rules” about another society, but generalized knowledge is a necessary baseline from which to start. Takie Sugiyama Lebra’s Japanese Patterns of Behavior is a more nuanced, but also much more academic, resource which I feel compelled to also mention here.

Any study of doujinshi necessitates basic knowledge and commentary on its parent media, particularly manga . and Frederik L. Shodt has long been considered an authority on Japanese comics. His two books, Manga! Manga. The World of Japanese Comics and Dreamland Japan: Writings on Modern Manga both offer insight onto subjects such as the genesis and current status of the comics publishing industry, common story themes and visual conventions of specific genres, and social issues surrounding the medium. Shodt uses examples of classic manga to illustrate his points, and particularly in Dreamland analyzes individual publications for their unique characteristics and cultural implications. Shojo manga stylistic innovations, like large dewy eyes and androgyny, are often reflected in yaoi doujinshi, as are narrative conventions such as the tendency for storylines to focus on interpersonal relationships.

Dreamland also has a short section titled “The Dojinshi World” which gives an outline of doujinshi convention life, genres, and mentions such prominent gatherings as Super Comic City and Komiketto. Also, the history, organization and mood of these conventions are discussed briefly. Perhaps the most valuable parts of the article are the perspectives offered by the author’s interviews with people involved in the administration of Komiketto, which give ideas about why doujinshi are a popular hobby and why there are so many female fans involved with it. Schodt also provides here some important statistical data, such as the estimated total number of doujinshi circles in Japan and the amount of money circulated around conventions like Komiketto, helping to establish the doujinshi subculture as a substantial population. Unfortunately all the facts in the book are slightly dated, as it was published in 1996, but this too can offer insight into the way doujinshi culture has evolved in the last decade when compared with more recent sources.

Sharon Kinsella’s Adult Manga: Culture and Power in Contemporary Japanese Society is another important and often-cited piece of literature in the field of manga studies, particularly where it intersects with doujinshi . Like Schodt, Kinsella summarizes many of the manga business’ publishing mechanics and details the long history of illustration in Japan, but the thesis of her book concerns the relationship between editors and artists and how it has changed over time. In the course of discussing the for-profit industry’s problematic relationship with artistic creativity, she explains how the underground comic subculture originated as a way for marginalized mangaka to express their “unusable” ideas, and then evolved into the doujinshi subculture dominated almost entirely by amateur hobbyists. The second half of the chapter on amateur comics goes on to detail how “the otaku panic” and features of the underground, like lolicom 17 , went on to effect the mainstream industry.

There has been a certain amount of criticism leveled at this book in the anime / manga fan community, particularly over Kinsella’s application of the term lolicom. However, while agreeing that her use of this word is too liberal, I find the great majority of her work to be perfectly solid. In particular she provokes thought about the relationship of the mainstream manga industry to its shadowy twin, doujinshi . because they invariably do impact one another to a great extent. Without mainstream series, yaoi doujinshi in the derivative form it exists as today would dry up for lack of new storylines to play with; however, conventional publishing’s adoption of boys’ love/yaoi as a genre worthy of new original work, and its occasional hiring of doujinshi artists as promising new mainstream talent, proves that the influence flows both ways. Mainstream publishers cannot afford to ignore the huge number of young female consumers engaged in the doujinshi subculture, and the doujinshi subculture itself certainly has no intention of ignoring the mainstream media it is founded on.

Matt Thorn’s article “Girls and Women Getting Out of Hand: The Pleasure and Politics of Japan’s Amateur Comics Community” is perhaps the best single resource on the subject of Japanese yaoi doujinshi that currently exists. Published in the 2004 book Fanning the Flames: Fans and Consumer Culture in Contemporary Japan . this essay gives a broad and informative overview of the doujinshi subculture in its present form, traces its origins, connects it to the American Internet slash/ yaoi fanfiction phenomenon, and describes the salient features of convention life. The second half of the work is devoted to analyzing that eternal “why” that always comes up in connection with yaoi —why do women enjoy these homosexually-themed stories?

Using both his experience with fans and the work of other sociologists (who, again, largely worked with yaoi manga instead of doujinshi ) Thorn concludes that the thing yaoi fans around the world share are a “discontent with the standards of femininity to which they are expected to adhere and a social environment and historical moment that does not validate or sympathize with that discontent” (180). He also identifies doujinshi as primarily a vehicle for social interaction among those who, for one reason or another, do not fully subscribe to majority gender norms; while not necessarily obvious deviants themselves, “they do not see themselves as the conventionally beautiful characters who inevitably get the perfect guy or girl in mainstream media for women or men” (183).

Though the extremity of Thorn’s theoretical claims may sometimes seem a bit farfetched (all of Japan is lodged in the “feminine mystique” phase of feminist thought?), the larger connection is one of the most important to understand in the study of doujinshi . Most of the conjectures surrounding the BL genre and the amateur comic medium are concerned with females taking control of their environment. The unauthorized utilization of mainstream characters, the juxtaposition of seme and uke . and the self-publishing of the magazines themselves all have to do with reclaiming individual power from an amorphous society; using yaoi to unleash the sexuality repressed in or denied to females, and abusing favorite male characters in order to come to terms with personal abuse, are even more obviously feminist issues.

One of the most surprising and least obvious aspects of yaoi is its complex relationship to the realities of Japanese homosexuality. Understanding the interaction of historical traditions with modern ideas is essential to understanding how the pop-culture fantasies in yaoi doujinshi arise, and why they present in the way they do. History is one of the main factors that influences any societal perception, and Japan has a long record dealing with same-sex desire; a great many of the baseline understandings about homosexuality that were formed in antiquity still have a hold on Japanese notions of same-sex love today. Male Colors: The Construction of Homosexuality in Tokugawa Japan by Gary P. Leupp outlines the beginnings of Japanese homosexual tradition and its common practice up until 1868, through the analysis of period primary source material. His analysis of the love poems, paintings, novels, advertisements, and humor of the Edo period paints a complex picture of a society familiar and comfortable with same-sex desire.

Many of the same homosexual tropes that were formulated in historical times are still evident in doujinshi . For example, the subconscious definition and assignment of roles for each partner in a homosexual relationship has its origins in the interactions of 13 th century priests and acolytes, and 15 th century prostitutes and their patrons. Influenced by the Confucianism of their time, the monks, samurai and merchants of pre-modern Japan structured their homosexual behavior according to age and status dictates; the younger person in the relationship or encounter was always the passive insertee, the older person the active inserter, and they both were required to act in certain ways regarding one another. This same kind of role-structuring is seen in the interactions of doujinshi seme and uke; in both cases there is one younger-seeming partner who is interpreted as “the loved” and one more mature partner constructed as “the one who loves.”

Furukawa Makoto’s article “The Changing Nature of Homosexuality: The Three Codes Framing Homosexuality in Modern Japan” fits in with Leupp’s work by tracing how these same patterns of behavior found before and during the Tokugawa Era flowed into the modernizing Meiji period that followed it. This helps to establish my point that these constructions have remained stable and relevant in the populace’s minds even over long periods of time, and that they influence today’s doujinshi creators as the subtle cultural paradigm dictating homosexuality’s unspoken “rules.”

Mark J. McLelland’s Male Homosexuality in Modern Japan: Cultural Myths and Social Realities takes on the daunting task of untangling media stereotypes and popular misconceptions—many of which seem to be manifestations of the above-mentioned historical paradigm—from the actual experience of contemporary same-sex desiring Japanese. His argument encompasses a detailed discussion of women’s yaoi manga . establishing that the content of the comics is distinctly fantasy with a feminine flavor: very far removed from reality in general and specifically from the current experience of actual homosexual men (the final section of his chapter on the media focuses on real gays’ reactions to and impressions of boys’ love in comics.) In his examination of the genre McLelland also covers possible reasons why women create these stories and characters as “morphs” of their own situations, and what societal functions yaoi currently serves and reveals in Japanese culture.

McLelland establishes yaoi manga as a feminine genre by contrasting the kind, sensitive characters and emotionally revealing eroticism of the BL genre to the unequal and largely degrading pornographic experience of women in men’s comics. Unexplained force and coercion on the part of at least one of the partners are typical features of sexuality in men’s media; manipulation is also present in yaoi . but it has emotional meanings or intentions which are known to the reader rather than simply being used for explicit, impersonal sexual intent. In short, the things written by men, for men, and even the heterosexual comics aimed at women, have more to do with biology and violence than love or feelings.

Three themes are prevalent in McLelland’s description and scrutiny of yaoi manga . the way the ‘other’ is portrayed (71), gender play (74), and purity (84). The confluence of these three factors gives a lucid description of sexuality’s fluidity in women’s yaoi . explaining how and why gender and romance are idealized in the medium. He concludes that yaoi . in contrast to heterosexual pornography, has more of a focus on the emotionality of the sex act than the sex act itself. Depictions of boys’ love gain the capacity to concentrate on the sentiments surrounding love and attraction because they remove many of the typical biological/social associations involved with heterosexual relationships, and idealize the focal characters in a liminal space outside the normal world. This theory, while formulated from professionally-published manga . has obvious applicability to yaoi doujinshi . which play upon the same kind of subject matter.

One of the most extraordinary resources on the topic of same-sex love stories for women is available on the Internet. Mark McHarry’s article “Yaoi: Redrawing Male Love” was originally published in a November 2003 edition of The Guide . a Boston-based gay magazine. The annotated version, available at http://www.guidemag.com/temp/yaoi/a/mcharry_yaoi.html stretches to forty-five pages, covering the questions of “what is yaoi . who produces it, reads it, and why?” not only from the perspective of Japan, but also by including interviews and data collected from the American boys’ love fan community.

While McHarry introduces only limited analysis of his own, he does an amazing job of collecting and citing the existing research surrounding the field, summarizing arguments by people such as McLelland, Kinsella and Anne Allison 18 (among many others.) The copious notes, Internet links, and citations at the end of the article prove the tremendous amount of research that is condensed in this work. His biggest original contribution is noting a variety of American fanworks available online, and condensing some of the discourse that has gone on among fans for years by giving quotes from email conversations he has had with various girls on the subject. McHarry also speculates on the future of the American yaoi fangirl subculture, pointing out that Flash animations, American-produced doujinshi, and webcomics with BL themes are already being produced in growing numbers, and that an increasing amount of formal research is beginning to be published on the topic.

Overview of Circles

One of the main points of this project is that very individual doujinshi is unique, but read in larger volumes there are trends that begin to emerge. These trends, the result of communication within the fan community, are overarching fantasy constructions: archetype-like understandings that tend to give each character pairing their own set of standards, which in turn influence new pieces concerning them. However, in addition to these more pervasive developments, there are also major threads of similarity that often run through the work of a single circle, repeated motifs or traits that distinguish them from the crowd even as they embroider and illuminate the fanon itself. Their ideas capture more clearly and perfectly the overarching fantasy by illustrating a piece of it that is focused on or mentioned only in their work.

For this reason, I felt it would be worth describing some of the authoresses, and their circles’ “personalities” that have had an effect on my theories and writings about certain pairings. They are certainly not the only creators or pairings I have looked at in uncovering and explicating my characterizations of the various pairings, but due to the quality, representative attributes, and relative quantity of their magazines I feel they can function as excellent examples in many cases.

I admit, getting reliable personal information about the authoresses themselves is difficult, mostly due to the language barrier. Some circles have personal websites, but it is largely beyond my ability to use these resources with any certainty; also, these websites seem to appear and disappear very quickly, and a great number of the URLs listed within the pages of my collection lead only to “404, Page Unavailable” errors. Unsubstantiated rumors abound on the Internet, which is also where most English-language information is available (though there is actually not much available in English.) Consequently I have only included what I’ve been able to translate and observe directly from the doujinshi themselves.

Chenhaikonsu (Amidamaru x Yoh Asakura)

Osaka Prefecture 1. Osaka City

Chenhaikonsu does an excellent job of representing the tropes of a small but significant section of fandom. Their books are typical of Shaman King doujinshi in that they contain a large percentage of gag strips, but there are always one or two longer, more serious and better-drawn stories that feature the pairing’s romance as well. Yoh’s youth and innocence is played upon for sexuality to some extent, which is also common in Amidamaru x Yoh doujin, but it is not as prominent a feature with this circle as it is when reading some other artists’ work. What this group excels at is showing how natural and effortless it is for Yoh and his spirit guardian to be a couple, despite the huge gulf of difference between them created by age, upbringing and biological status (one is, after all, a ghost whose body has been dead for centuries.) Their versions of Amidamaru and Yoh project a sense of calm happiness together; interestingly, Amidamaru’s view of the relationship and the benefits he receives from their interactions seem to be focused on more often, which is an exact reversal of the original manga ’s perspective. The feeling of mutual happiness between the pairing is maximized by the principle author’s use of exceptionally simple plots that could easily happen during everyday interaction. Individual authors’ stories sometimes have a subtle seasonal theme, determined by what time of year the magazine is being published.

Hero Rukawa’s Hero Kingdom (Uchiha Sasuke x Uzumaki Naruto)

Ishikawa Prefecture 19. Kanazawa City

Hero Rukawa is a new and exceptionally prolific authoress of exclusively Naruto -related doujinshi ; when I went to the store where I gathered the majority of my material, it often seemed as though nearly a third of the “Naruto-as- uke ” section was dominated by her Sasuke x Naruto and Kakashi x Naruto books. Doujinshi . like much of Japanese popular culture, is constantly under the influence of trends 20. and Rukawa seems to have gotten in on the ground floor of the Naruto boom. Besides her frequent focus on Sasuke’s complicated moods and attitude (often through poignant interior monologues which preserve the character’s cold exterior while revealing a sensitive side to the reader), one of this author’s most interesting and persistent themes is the use of seasonality. Characters interacting with traditional Japanese symbols of the season—admiring spring cherry blossoms and swimming in the ocean during the summer, to name only two—show up with extraordinary frequency, and these episodes are often used to segue into and highlight the romantic elements of the narrative. Japanese traditional culture actually plays a bigger part in Hero Kingdom’s version of Naruto than it does in the mainstream series; while ninjas are undoubtedly a Japanese invention, canonical Naruto picks and chooses which historical elements to include and seems to be set in a rather culture-neutral alternate dimension. Only in Hero Kingdom do Sasuke and his partner interact with Shinto shrines, go to onsen hot-springs for vacation, and deal with supernatural elements like possessing ghosts.

Moriyama Yumi’s Trick Star (Heero Yuy x Duo Maxwell)

Chiba Prefecture 21. Sakura City

Trick Star’s Gundam Wing work is particularly remarkable because it does such an outstanding job of showing the typical Heero x Duo dynamic while adding considerable depth to it in the process. Writing mostly from Duo’s perspective and mostly in sequence with the actual anime ’s timeline, Moriyama shows with great realism how deeply emotionally tormented her main character is by his partner’s often inexplicable behavior; where other authors’ versions of Duo can be melodramatic, two-dimensional, or even occasionally provoking of emotional mistreatment for the sake of a chosen storyline, Moriyama’s acts and reacts like a real person (I can only speculate, but it makes me wonder if Moriyama might be an older author than the average artist.) Her chosen characters’ emotions have personal consequences to them and are acknowledged as confusing and multi-faceted in a way that is rare within the doujinshi medium. The ways in which Duo attempts to go about dealing with his problematic relationship while continuing to function in the outside world adds further to the sense of truth in her portrayal.

Akizuki Ryo’s Yubinbasya (Zax x Cloud Strife)

Kyoto Prefecture 22. Fushimi-Momoyama City

While I was studying abroad in Hirakata I actually had a chance to briefly meet Akizuki-san at a medium-sized convention I attended. This Comic City convention took place in southern Osaka, about forty-five minutes away from Yubinbasya’s hometown in the outskirts of Kyoto. I’ll admit I acted like a flustered fangirl (which I was) but she took it in stride, autographed my book, and then busily went back to organizing her booth’s extra stock while her assistant continued selling to the long line of buyers queued up in front of the table. Both she and her assistant were decidedly pretty young Japanese women who looked to be in their late twenties to early thirties; her assistant was elegantly businesslike, and Akizuki-san herself had the professional aura of being used to her fame.

Yubinbasya has been writing and illustrating Zax x Cloud stories for a very long time; the earliest doujin I have by them 23 is dated 1999, but there are fanlistings on the Internet reporting that they began publishing for Final Fantasy VII the same year the game came out, 1997. Even though the actual urban fantasy-themed game (an exceptionally popular yaoi subject) was released such a long time ago, they have continued to publish new doujinshi for this pairing up until the present, as well as doing illustrations for calendars, art books and other media and even serving as editors for compilations of Zax x Cloud-related doujinshi anthologies. Consequently their body of work is large and influential to the point where even most doujinshi collectors outside of Japan are at least faintly familiar with them; their books are sought voraciously both at home and abroad, as evidenced by the line in front of their convention booth, and the number of pieces on online auction sites. This could easily be due to how high quality and distinctive their art, storylines and publishing is.

One of Yubinbasya’s most unique hallmarks, aside from the art itself—most often done in a graceful, sketchy style and sometimes colored with gentle pastel watercolor effects—is their expert use of paneling techniques. For instance, although this circle seems to do more explicitly sexually-oriented doujin than many, because of the way that each comic panel is framed a sense of elegance and tastefulness is imparted even to the biological act. It is more about what isn’t shown than what is shown, in many cases; a close-up on a face or a hand communicates much more than its’ simple subject to the reader. Yubinbasya’s use of paneling influences story pace, mood and content in a way frequently utilized, but to much lesser effect, by other artists.

Accueil

Accueil

Après plus de six mois d'absence, notamment parce que j'étais partie étudier au Japon (pitié, laissez moi repartir T.T), j'ai eu envie d'essayer de reprendre d'une manière où d'une autre ce blog. Même si j'aimerais pouvoir changer le nom de l'adresse, ce qui n'est pas possible. " Mais pourquoi ne pas commencer un nouveau blog si tu n'aimes pas l'adresse de celui-ci? ", me demanderiez-vous. Ben, c'est simple. Malgré son abandon, les stats de ce blog n'ont pas cessées d'augmenter (vous pouvez vous même juger du nombres incroyable de visiteurs dans la colonne du menu), ce qui signifie que grâce à son gros nombre d'articles dont les tags sont en général "japon" "asie" "drama" ou "yaoi" font qu'ils doivent souvent être sur les résultats proposés par les moteurs de recherche. Donc voilà, je crois qu'on peut dire que ce blog a un gros potentiel si on veut être sûr d'être lu par au moins quelqu'un e.e/

Боевые исскуства (Martial Arts) Кулачные боевые стили от реально существующих (карате дзюдо т д ) до выдуманных (как в Saotome School of Anything Goes Martial Arts)

Боевые исскуства (Martial Arts) - Кулачные боевые стили от реально существующих (карате, дзюдо, т.д.) до выдуманных (как в Saotome School of Anything Goes Martial Arts)

Примеры: Ranma 1/2, Fist of the North Star, Tenjou Tenge

Детективный роман (Mystery) - Полицейский детектив и детективный рассказ, полный напряжения и неизвестности.

Примеры: Detective Conan, Spiral, Kaze no Yojimbo

Драма (Drama) - Серьезные, эмоциональные и обычно романтические рассказы.

Примеры: Ai Yori Aoshi, Aishiteruze Baby, Haibane Renmei

Исторический (Historical) - Рассказы, основанные на исторически существоващих личностях или реальных событиях, которые происходили в истории.

Примеры: Rurouni Kenshin, Kaze Hikaru, Samurai Deeper Kyo

Кавай (Kawaii) - Кавай как жанр чаще всего выступает в паре с романтикой, гаремом и фентези, повествуя о событиях в жизни этих самых кавайных персонажей, заставляя зрителя сопереживать им так, как сопереживают маленьким, а потому милым и уязвимым детям.

Одновременно и жанр произведений, и стиль рисовки персонажей. «Кавайи» (яп.) - милый, привлекательный, красивый, маленький - то, при взгляде на что ваше сердце сжимается от умиления. Иногда кавай ещё называют «моэ», так как аниме данного жанра лучше всего подходят для фетишизации. Можно еще выделить гиперкавай - это то, что является визитной карточкой аниме как искусства в нашем обществе - милые персонажи с глазами на пол-лица (например «Shakugan no Shana», «Kanon» и «Air»).

Комедия (Comedy) - Смешные рассказы преследующие цель рассмешить зрителя.

Примеры: Excel Saga, Lupin III, Those Who Hunt Elves

Ме́ха (mecha) - поджанр в аниме, основным атрибутом которого являются огромные человекообразные роботы. Название происходит от японского сленгового сокращения английского слова «механический». Первоначально этим словом обозначались любые сложные технические приспособления. Однако позднее термин закрепился именно за фантастическими человекообразными пилотируемыми военными машинами.

Обычные мехи это так называемые «гигантские роботы» (яп. 巨大なロボット) — огромные человекообразные боевые бронемашины, оснащённые встроенным и/или навесным вооружением. Кабина пилота находится внутри «туловища» или «головы» робота. Как правило, основной боевой задачей таких роботов является бой с аналогичными механизмами, либо гигантскими существами, инопланетного или иного враждебного происхождения, с которыми, по какой-либо причине (особое поле, слишком высокая скорость передвижения и маневренность), не могут справиться обычными способами.

Впервые гигантский человекообразный робот появился в манге 1958 года, а в 1963 году и аниме сериале, «Тэцудзин 28 Го» (буквально «Железный человек №28»), которая стала родоначальником этого жанра аниме. Наибольшего пика этот жанр достиг в 1970-х годах под руководством Го Нагая, художника комиксов, создавшего сюжеты к некоторым сериалам из такой классики японского аниме, как «Мадзингер Дзет» (1972), «Грендайзер» (1975), «Комбаттлер Ви» (1976).

Технически меха обычно предстают для зрителя своеобразным чёрным ящиком, то есть отражаются только их внешние характеристики, необходимые для развития сюжета; внутреннее устройство и принципы работы не показываются. Часто меха, управляемые главными героями (как положительными, так и отрицательными), являются продуктом чуждой технологии, многократно превосходящей человеческую, и все их особенности раскрываются персонажами только по ходу действия.

Выпущенный в 1979 году аниме-сериал «Gundam» привнёс в жанр элементы реалистичности. И меха оказалась разделена на два поджанра: супер-роботы и реалистичные роботы. Жанр «реальных роботов» стал рассматривать гигантские механизмы скорее как машины (дизайнеры начали заявлять псевдореалистичные характеристики у мехов) и концентрирует фокус своего внимания на мыслях и чувствах людей (как, например в аниме Full Metal Panic).

В свою очередь «супер-роботы» с появлением в 1995 году аниме «Евангелион», так же успешно эволюционировали от вариации кайдзю до отдельного самостоятельного жанра. Акценты так же сместились на персонажей, а мехи стали вплетаться в сюжет более тщательно, приобретая особые фантастические или мистические свойства и становясь вариантом персонажей-роботов, а не машинами.

Примеры: Gundam, Neon Genesis Evangelion, FLCL, Full Metal Panic, Gundam Seed

Музыкальный (Music) - Рассказы, где музыка является главной темой.

Примеры: BECK, SDF Macross, Full Moon wo Sagashite

Пародия (Parody) - Аниме этого жанра пародирует какие-то часто используемые темы в аниме или конкретные аниме.

Примеры: Excel Saga, Animation Runner Kuromi, Sakigake. Cromartie High

Повседневность (Slice of Life) - Рассказы, которые повествуют об общих жизненных ситуациях, с которые часто сталкивается зритель.

Примеры: His & Her Circumstances, Azumanga Daioh, Initial D

Приключения (Adventure) - Рассказы содержащие поездки или путешествия, как правило, на большие расстояния.

Примеры: Dragon Drive, El-Hazard, One Piece

Романтика (Romance) - Романтические рассказы о любви и отношениях.

Примеры: Fruits Basket, Kimi Ga Nozomu Eien, Chobits

Семейный (Family) - Рассказы, контент которых подходит для людей всех возрастов, и могут быть просмотренной всей семьей.

Примеры: Kiki&#039;s Delivery Service, Astro Boy, Dragonball

Спокон (スポ根 - супокон, от слов スポーツ [супо:цу] - спорт и 根性 [кондзё:] - сила воли) - жанр аниме и манги, рассказывающий о спортивных достижениях, совершённых благодаря сильной воле к победе. Главными героями спокона, как правило, являются молодые спортсмены, и сюжет описывает их становление, победы над трудностями, спортивную карьеру. Чаще всего описывается один из популярных в Японии видов спорта: бейсбол (или его разновидность: софтбол), волейбол, плавание, различные единоборства.

Примеры: Suzuka, Mach Go Go Go, Hikaru no Go, Eyeshield 21, Hajime no Ippo

Спорт (Sports) - Рассказы о каком-нибудь спорте от бокса до бейсбола и баскетбола, а также несуществующего спорта. \\В целом, про спорт, про достижения и победы, про поражения и проигрыши. Как правило в таком аниме возможности главного героя растут и совершенствуются со временем, а психологическая составляющая играет в сюжете немалую роль.

Примеры: Slam Dunk. Buzzer Beater, Hajime no Ippo

Ужасы (Horror) - Рассказы, сверхъестественного и оккультного характера в том числе про демонов, вампиров и других сверхъестественных и бессмертных существ.

Примеры: Elfen Lied, Demon City Shinjuku, Hellsing

Фантастика (Science Fiction) - Рассказы связанные с технологиями, которые обычно происходят в космосе или на других планетах.

Примеры: Banner of the Stars, Armitage III, Cowboy Bebop

Фэнтази (Fantasy) - Фэнтези рассказы, как правило, характерны наличием магии и/или сверхъестественный существ.

Примеры: Slayers, Orphen, Fushigi Yuugi

Хентай (Hentai) - Рассказы, которые содержат явные сцены секса и постоенные на сексуальной тематике.

Примеры: Bible Black, Samurai XXX, Magical Girl Ai

Экшн (Action) - Рассказы содержащие большое количество различного рода действий - таких как сцен боев, перестрелок и погоней на автомобилях.

Примеры: Fullmetal Alchemist, Naruto, Bleach

Эччи (Ecchi) - Рассказы легкой сексуальной тематики и содержания, но без сцен секса. В эччи, пропорции женского тела и размеров груди, как правило, увеличены до карикатурного размера.

Примеры: Green Green, Eiken, Love Hina

Юри (Yuri) - Рассказы, содержащие гомосексуальные отношения между двумя женщинами.

Примеры: Maria-sama ga Miteru, Revolutionary Girl Utena, Sailor Moon

Яой (Yaoi) - Рассказы, содержащие гомосексуальные отношения между двумя мужчинами.

Примеры: Gravitation, FAKE, Only the Ring Finger Knows

Сёнэн (少年 «юноша») - метажанр аниме и манги, основной целевой аудиторией которого являются мальчики и юноши в возрасте от 12 до 18 лет. Основными признаками жанра служит протагонист мужского пола, быстрое развитие и динамизм сюжета (особенно это заметно по сравнению с сёдзё-мангой). Произведения в жанре сёнэн, как правило, содержат больше юмористических сцен, концентрируются на темах мужской дружбы, товарищества, соперничества в жизни, спорте или на боевых действиях. Персонажи женского пола, нередко изображаемые преувеличенно красивыми и сексуальными, служат в качестве стимула для проявления мужественности главных героев, часто используются элементы этти и фансервиса.

Несмотря на то, что для юношей и мужчин более старшего возраста (студентов, младших служащих) существует отдельный метажанр сэйнэн, аниме и манга в жанре сёнэн остаются привлекательными и для них. И, поскольку у них есть и финансовые возможности, и время на покупку и чтение журналов с мангой, то журналы, печатающие сёнэн-мангу, по праву считаются самыми популярными в Японии.

Примеры: Air Gear, Black Cat, Bleach, Fullmetal Alchemist, Gate Keepers, Inuyasha, Naruto, One Piece, Death Note

Сэйнэн (青年 — взрослый мужчина) - метажанр аниме и манги, основной целевой аудиторией которого являются молодые мужчины в возрасте от 18 до 25 лет. В редких случаях произведение в жанре сэйнэн (как правило манга) нацелено на категорию бизнесменов в возрасте до 40 лет.

Примеры: Berserk, Хелсинг, Gantz, Триган, Rozen Maiden

Сёдзё (少女 - девушка) - метажанр аниме и манги, целевая аудитория которого — девушки в возрасте от 12 до 16-18 лет. В сюжете, как правило, присутствуют любовные отношения разной степени близости.

Характерной чертой визуального ряда часто бывает большая условность рисунка — либо гротескно-юмористическая, либо утончённо-романтическая. Нередко сёдзё включает в себя такие разновидности хентая и этти, как яой и сёнэн-ай.

Примеры: Angelic Layer, Card Captor Sakura, Revolutionary Girl Utena, Fushigi Yugi

Махо-сёдзё (魔法少女 - девушка-волшебница) - поджанр сёдзё, является одним из наиболее распространённых жанров в аниме и манге.

Основной сюжетной особенностью махо-сёдзё является главный персонаж — девочка, или молодая девушка, обладающая некими сверхъестественными способностями, которые она использует для борьбы со злом, защиты Земли, слабых и тому подобных действий. Иногда присутствуют несколько девушек, обладающих различными способностями и как правило работающих в одной команде.

Примеры: Сейлор Мун, Cardcaptor Sakura, Tokyo Mew Mew, Magic Knight Rayearth, Pretty Sammy и Futari wa Pretty Cure\\

Существует и аналогичный поджанр

Махо-сёнэн (魔法少年 - юноши-волшебники) - Полностью идентичен махо-сёдзё, с изменённой гендерной направленностью, то есть главный герой — юноша

Пример: DNAngel

Дзёсэй (女性 - женщина) также рэдису (レディース) или рэдикоми (レディコミ) [от англ. ladies (comics)] - жанр манги и аниме созданный в основном для просмотра молодыми женщинами. Возрастным эквивалентом дзёсэя для мужчин является сэйнэн. В японском языке слово дзёсэй обозначает «женщина», причем это слово не имеет сексуальной окраски.

Сюжет произведения в этом жанре обычно описывает повседневную жизнь женщины, живущей в Японии. Небольшая часть отводится под школьную жизнь героини (как правило там происходит завязка сюжета, и знакомство с основными действующими лицами), но основное время отводится под показ жизни взрослой женщины. Стиль рисовки используемый в дзёсэе более реалистичен чем в сёдзё, однако сохраняет в себе некоторые его характерные особенности. В отличие от сёдзе, любовные отношения показаны в дзёсэе значительно менее идеализировано и более проработано: например произведения нацеленные на взрослую женскую аудиторию и рассказывающие о мужских гомосексуальных отношениях редко относятся к яою, поскольку в дзёсэе такой сюжет как правило более реалистичен и менее подвержен шаблону.

Дзёсэй часто насыщен эротикой и сексуальными сценами, термин иногда используется в аниме или манге, как правило мужскими персонажами, чтобы обозначить своё сексуальное влечение к взрослым женщинам (обычно старше себя по возрасту), по контрасту с лоликоном.

Примеры: Blue, Gokusen, Honey and Clover, Happy Mania, Nana, Oruchuban Ebichu

Гаре́м - жанр отношений в аниме и манге, в котором персонаж мужского пола оказывается окружён большим количеством женщин (или наоборот). Более никаких жёстких рамок не задано, и в разновидностях гарема герой совсем не обязательно должен завязывать хотя бы с кем-то романтические отношения, однако чаще всего так происходит.

Многие сериалы, не принадлежащие в полной мере к «гаремным», используют наработки жанра для усложнения отношений персонажей.

Примеры: Love Hina, Elfen Lied, Ouran High School Host Club, He is my Master, Rosario + Vampire, Ai Yori Aoshi,

Лолико́н (ロリコン - [рорикон] ) - Само слово в японском означает педофилию, однако в других языках используется, как название жанра аниме и манги, содержащих эротические или романтические сцены с участием явно несовершеннолетних девушек. Слово является сокращением от яп. ロリータ・コンプレックス [рори:та компурэккусу] . которое произошло от англ. lolita complex. В Японии для обозначения аниме и манги этого жанра используется просто слово «Лолита», например, «Лолита-аниме», или «Лолита-додзинси». У слова «Лоликон» есть также сокращённая форма: Лоли (ロリ), широко распространённая как в Японии так и за её пределами.

Лоликон в чистом виде является разновидностью жанра хентай, но часто это понятие употребляется и по отношению к другим аниме, особенно жанра этти, в которых эротическая привлекательность девочек для зрителя достигается посредством показа романтических отношений и фансервисных сцен.

Примеры: Yuki no Beni Gesho: Shojo Bara Kei, Obyoki Aki-chan, Bishoujo Comic Lolikon Angel: Mitsu no Aji (во всех цензура отсутствовала изначально)

Кодомо (子供, ребёнок) - метажанр аниме и манги, целевая аудитория которого — дети в возрасте до 12 лет. Отличительной особенностью жанра являются общая «детскость» произведения, отсутствие либо сильно упрощенные формы идейного наполнения, характерная рисовка. Кодомо-аниме обычно не содержит фансервиса и проявлений жестокости.

Иногда кодомо-аниме ближе к европейской или американской анимации, чем к любым видам аниме — и по рисовке, и по строению сериала. Тем не менее, все сериалы такого рода, созданные в Японии, принято считать разновидностью аниме.

Примеры: Kodomo no Omocha, Doraemon, Soreike! Anpanman, Hamtaro, Animal Yokochō, Pokémon

Ота́ку (おたく или オタク) - Человек, маниакально увлекающийся чем-либо. За пределами Японии, в том числе и в России, обычно употребляется по отношению к фанатам аниме и манги.

Этим словом также называют аниме и мангу, посвящённые жизни отаку, в которых образ отаку может быть представлен как в негативном так и позитивно-нейтральном свете.

Примеры: Lucky Star, Otaku no Video, Genshiken, Perfect Blue, Boogiepop Phantom, Wellcome to the NHK, Chaos; Head

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